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青草影视

舞武器舞乱伎 星之巨人
日本日语2016
  某天,时隔10年回到日本的少年·一希东,突然遭到武装男子们的袭击,并被囚禁起来。而救出了东的人,是青梅竹马的少女·朝吹黄金,以及有着右手形态、拥有意志的武器“舞武器”。知道了“舞武器”的存在,以及自身也是“舞武器使者”的东,与遇到的同伴们一起,为了让沉眠于地下、被称为“王舞”的舞乱伎(巨人)复活而开始行动。相隔10年后回到日本的一希东,不知为何被舞武器警察追捕。东的青梅竹马朝吹黄金看到被警察带走的东,便带着舞武器小右闯入警局将东救出来。第一次见到舞武器威力的东,与其他舞武器使者野野柊、扇木乃亚、种臣静流等人相遇,并同行前往舞武器监牢,拯救沉睡的舞乱伎“王舞”。看到只剩骨架的王舞,东失望地伫立着。成功拖住的场井的黄金等人也赶到东的身边,柊觉得不能放过让王舞复活的大好机会,便威胁对舞武器一窍不通东把心脏交出来,甚至不惜攻击东逼王舞的心脏启动。看似王舞复活有望同时,柊所憎恶的万流礼央子驾驶炎帝现身。10年前掉落到东京无数的舞乱伎,被万流礼央子和她的舞乱伎炎帝击败。在熊熊的火焰中浮现礼央子得意的仰天大笑。从那天起这个国家便陷入礼央子和炎帝的恐怖统治中。东一行人逃亡最后投靠堀野的基地,堀野教导东有关舞乱伎的知识还有母亲的过去。在夜深人静之际,那个熟悉的敌人又出现了。 怒吼着要为父报仇的黄金,对的场井发动猛烈攻击,但是在技术跟经验不足的状态下节节败退,即使东以心脏舞武器挺身阻挡攻击,仍然挡不住无情的枪林弹雨。东等人认为只能使用王舞速战速决,但是无论如何都无法发动王舞,此时的场井拿出炎帝的心脏,向同为右手的黄金提出舞武器对战。

青草影视

最后的科学怪人
日本日语1991
  This 1992 Japanese film tells the story of a scientist who sets out to create the new "super Adam and Eve", humans who cannot be controlled by their emotions. Of course, the end result it not exactly what the good doctor expects.  comments from imdb:  This modern tale of an attempt to build a creature is one of the best "horror" films ever made, even if its not a horror film but something else entirely. Certainly its on my short list of all time great films.  This film was introduced to me by someone who told me "I have this film that probably one of the best films you'll ever see. It will move you and touch you and make you think, but if I told you what it is and told you how its done you will think its the stupidest thing on the face of it and you won't watch it." Intrigued I asked what did he mean, and he said, "Well its a Frankenstein story, with a very goofy sort of edge, but which uses it to its advantage." My ears perked up, and I being a trusting soul took the tape and watched it. I was blown away.  The plot concerns a mad scientist attempting to make a new Adam and Eve in the wake of a suicidal plague that is ravaging the world. Locked up in his lab his experiments go differently then either he or we expect. Some of it is silly (The bolts in the neck, the wrestling moves...), all of it is touching and thought provoking.  I can not recommend this movie enough. If you are willing to take the film on its terms and allow it to tell its story then I urge you to seek this film out and see it. This is an undiscovered gem that will stay with you forever.  15 out of 10 and then some. 10/10  Also known as "The Last Frankenstein", this is an extraordinary, impeccably produced horror film. Director Takeshi Kawamura uses Mary Shelley's novel as a mere launching pad for an exploration of subjects as diverse and fascinating as the nature of love, desire, suicide, mass hypnosis, sex, alienation and jealousy.  And though the film is dense with subtext, it is also stunningly photographed and rich in atmosphere and detail. The performances are all amazing and Kawamura's sensitive handling of the strange, delicate relationships between the characters results in an emotionally charged, angst-ridden tragedy.  The scenes of the confused, troubled monster hurtling through a fog-shrouded forest at night are memorable and striking, as is a brilliant home movie-style montage of the film's more curious characters enjoying a precious afternoon at the beach. Kawamura creates resonating visual poetry of horror and sadness barely sighted since Todd Browning's classic "Freaks".  Intelligent, emotional, tragic and real, this is an absolute gem. 9/10

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