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青草影视

雷蒙·斯尼奇的不幸历险
美国英语2004
  三姐弟在一场大火中失去了父母,继承了父母留下的一大笔遗产。因为年龄尚小,只能到了法定年龄才能动用这笔钱。于是,三姐弟被暂时带到远房亲戚奥拉夫(金·凯瑞 Jim Carrey饰)家,由奥拉夫来抚养。  姐姐维奥莱特(艾米莉·布朗宁 Emily Browning饰)是个善于发明创作的小精灵,弟弟克劳斯则博闻强识,是个地道的小博士。最小的孩子有一口锋利的牙齿,呀呀说些姐姐哥哥才能听得懂的话。这次三姐弟却落进了奥拉夫的圈套里,被这个贪婪的亲戚盯上了那笔遗产。他们一次次陷入险境,看来奥拉夫非把他们害死不可。  于是,他们逃到了做生物学家的叔叔家里,然而这里却满是蛇类动物,颇为惊悚。更不妙的是,奥拉夫像摆脱不掉的影子跟随而至。三个孩子继续出逃,在发现姑妈家也不是去处时,他们决定自力更生,跟邪恶的奥拉夫周旋到底。

青草影视

魔鬼的陷阱
其它其它1962
  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

青草影视

创圣大天使EVOL
日本日语2012
  在前作《创圣大天使》中,故事设定在创圣纪0011年,地球上的人类由于11年前的大异变而失去了三分之二的人口。南极冰层溶化使得被认为1万2千年前已灭亡的“堕天翅族”亚特兰蒂亚复苏,他们将生物机械兵器“神话兽”接连送入人类都市捕获人类的生体能源“Purana”,决心反击的人类从海底遗迹发掘岀三台组合战斗机“Vector Machine”──1万2千年前将堕天翅族逼入灭亡绝境的传说中的兵器。这部于05年播出的TV动画,在7年后的2012年1月番再次上演新的传说,延续1万2千年前的传说。  在新的故事中,男主角的名字已经确认为阿马塔,其设定为虽然看上去有些弱气及容易动摇,但一遇上要保护的事物时,就会比其他人更为坚强,这样的阿马塔也已经确认由近期不少作品也找他来当主角的梶裕贵担任,继《罪恶王冠》之后,梶裕贵再次突破天际。已本作的两位女主角也已经确认为是米可罗及洁西卡,两人分别由茅野爱衣及花泽香菜担当,这三人组合在《罪恶王冠》里已经一起主演了,今次《创圣大天使EVOL》将这组合再次搬上,而且花泽香菜配声的洁西卡更是女主角之一,气份当然不会少了。另外,本作的声优还有中村悠一、浪川大辅、铃村健一及中岛爱等,都是一些人气不错的常见声优们。  继《创圣大天使》的经典同名主题曲《创圣大天使》,这次的《创圣大天使EVOL》再次找来AKINO担任主唱。新主题曲的名字再叫作《君之神话 ~创圣大天使第二章》,负责编曲及作曲的当然仍是菅野洋子,在这次公开的新PV中已经能够率先试听,在本PV中,大家当然还能看到SATELIGHT及河森正治出色的大天使设定,全CGI的制作,其流畅度、设计及战斗都真不是其他制作社能够比拟的,这样的大作大家也没理由不看吧。

青草影视

降世神通第二季
美国英语2006
  降世神通:最后的气宗(又称降世神通:安昂传说)是美国尼克频道和尼克网络播出的三季动画电视系列节目。该系列由担任执行制片人的Michael Dante DiMartino和Bryan Konietzko以及Aaron Ehasz创作和发行。降世神通发生在一个有东亚色彩的武术和元素操纵世界。该剧将以前美国国内卡通传统上分割的东亚、东南亚、以及西方文化混合,给美国国内卡通增添了新气象。  这一系列的主角安和他的朋友必须拯救这个世界,战胜邪恶的烈火国国君以及结束由火烈国发动的战争。 该系列于2005年2月21日首次播出,并以2008年7月19号播出的被广泛称赞的两小时电视电影《索辛的彗星》而画上圆满的句号。这个节目现已影碟DVD的形式在iTunes的网上音乐商店,Xbox Live卖场,游戏商店,以及其官方首页发售。  降世神通在其最好评价的剧集中拥有超过五百六十万的观众,并受到观众和影评人的一致好评。即便是超越6-11岁年龄层,降世神通都拥有极高的收视率以及很好的评价。降世神通还被年度安妮奖和艾美奖提名。尼克由于降世神通在第一季的成功,而买下了其接下来的第二、第三季以及第二部珂拉传说。

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