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青草影视

神秘失踪的船
大陆国语1990
  解放战争时期,宋庆龄通过海外华侨将一大批军需药品秘密运往国内。然而船行至东海突然失踪。我党中央立即派人查找,国民党也出动海、陆、空军前往搜杏。原来药晶船破舟…群岛海盗司令方大雨劫持。海盗们不知箱中是何物,方大雨欲请恋人海曼的父亲弄清这批货。  中文名神秘失踪的船  制片地区中国大陆  导  演李洪生  编  剧戚天法 戴伟若 王陶瑞 李洪生  目录  1电影  2世界著名船只失踪地  ▪ 百慕大三角  ▪ 日本龙三角  1电影  编辑  电影名:神秘失踪的船  导 演:李洪生  编 剧:戚天法 戴伟若 王陶瑞 李洪生  主 演:徐霄 高宝宝 贾雨岚 江庚辰  当他赶到鱼乡小镇,发现海曼的父亲惨遭地方女匪首王八妹的毒手致伤,海曼也被绑架。方大雨将自己儿子托付法华寺方丈,只身回到岛屿。我党特派员鲁平化装成郎中,走街串巷打昕失踪船只的下落.不幸落入匪手。侦察员小郭巧妙地救出鲁半和海曼一同找方大雨。狡诈的王八妹派人暗中跟踪。万大雨感谢鲁平他们救了海曼,却始终不提归还药品的事。尾随而来的王八妹与国民党官员朱天龙对方大雨软硬兼施,欲夺药品,骑虎难下的方大雨只好趁黑夜率众离岛。老谋深算的朱天龙料定方大雨会携子而逃,于是在法华寺设下伏兵将方大雨擒获,欲将他慢慢沉入海底。危急时刻,鲁平与小郭潜入海中救卜疗大雨,小郭牺牲。方人雨的把兄弟老二以为大哥已死,欲抢龙头为王,遭老制止,两人厮打起来,被逃出魔掌的方大雨制止。方大雨被小郭的精神感动,在海曼的劝说下渐渐醒悟,决定将药品交还我军。王八妹勾引老二出卖了方大雨,方大雨再次落入敌人手中被当作人质。鲁平将计就计.救出方大雨,并率众一举歼灭匪徒。王八妹落荒而逃。方大雨终于率部护送药品投奔了我苏北解放区。

青草影视

造物的奇迹
其它其它1925
  Wunder der Schöpfung is an extraordinary, fascinating Kulturfilm trying to explain the whole human knowledge of the 1920s about the world and the universe. 15 special effects experts and 9 cameramen were involved in the production of this film which combines documentary scenes, historical documents, fiction elements, animation scenes and educational impact. It its beautifully colored, using tinting and toning in a very elaborated way. Some visual ideas in the sequences with a space shuttle visiting different planets in the universe seem to have to be the inspiration for Stanley Kubrick's 2001: A Space Odyssey.  In the context of Germany's Kulturfilm phenomenon, Wunder der Schöpfung was among the greatest achievements of the 1920s. The production was constructed, rehearsed, and shot over a period of two and a half years, under the supervision of Hanns Walter Kornblum. The idea to describe the universe and man's place in it well suited UFA's Grossfilm mentality, one year before the Metropolis catastrophe. Hundreds of skilled craftsmen participated in the project, building props and constructing scale models drawn by 15 special effects draughtsmen, while 9 cameramen in separate units worked on the historical, documentary, fiction, animation, and science-fiction sequences. Without star roles or even protagonists, the film's plot is crowded with meticulously structured and skillfully acted single scenes an artful mosaic of small vignettes. No less than four credited university professors ensured the factual background behind the scientific and historical events portrayed.  The film's symbol of progress and the new scientific era is a spacecraft, travelling through the Milky Way, making all the planets and their inspiring worlds familiar to us, with the extravaganza of their distinctive features. The film's educational intentions, however, become steadily more obscure, humorous, or even campy as this popularization project proceeds. With the excuse of presenting the end of the world a not-so-new concept as a new, undeniably scientific truth, the film veers happily along a new path, displaying detailed apocalyptic scenes of the end of mankind. For today's audiences, this amazing film demonstrates how the universe was comprehended in the 1920s, and how that view was sold to contemporary audiences.

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