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名侦探柯南:纯黑的恶梦
日本日语2016
  漆黑的夜晚,一名间谍悄然潜入日本警方某机构,盗走了记载着各国谍报机构重要数据的绝密文件的绝密数据。日本警方和FBI探员赤井秀一(池田秀一 配音)旋即与间谍展开追逐。最后,逃亡者的车辆坠落悬崖。第二天,柯南(高山南 配音)和伙伴们来到东都水族馆观光,结果发现一名受伤的美丽女子(天海佑希 配音)。该女子处于失忆状态,身上的手机也破损无法使用。柯南等人答应要帮她恢复记忆,当他们七嘴八舌之际,藏在暗处的黑衣组织成员贝尔摩德(小山茉美 配音)冷冷地注视着这一切。在相处过程中,女子非凡的身手和奇怪的言行举止让灰原哀(林原惠美 配音)对其真实身份产生怀疑。  刚刚还一派祥和的水族馆,沉浸在快乐之中的人们,根本会想到随着那名神秘女子技艺的恢复,自己马上就要被卷入黑暗组织的杀戮和混乱之中……

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总路线
其它其它1929
  Due to some common interests between German and Russian aristocracy ( the Russians even had aristocrats in their past not to mention they had an Empress called Catherine the Great, as great as this German count's heiresses… ), it is not strange that this Teutonic count has understood and even enjoyed Herr S. M. Eisenstein's "Staroye I Novoye".  It is not very usual that for the aristocracy to enjoy Bolshevist films full of proletarian demands that put private property at risk or as it happens in this case, a film about the Communist Party's policy on the subject of the collectivization of the Soviet agriculture. Normally this would be perfect gibberish for this German count, but thanks to Herr Eisenstein 's greatness and directorial talent, the hardships of the heroine of the film, Dame Marfa ( Dame Marfa Lapkina ) breached even the thick aristocratic Schloss walls.  And that's one of the first remarkable aspects of this oeuvre; in spite of the political subject of the film, the powerful images and lyricism ( astonishing and beautiful shot compositions ), especially during the first part of the movie, preserve the artistic merits entirely while serving a propaganda purpose. The second remarkable aspect of the film is the dichotomy between the old and new, the fight to improve the lot of Dame Marfa and her countrymen. There are many discussions because it is not easy even in Russia to change ancient and conservative customs. There are superb metaphors and social criticism ( illiteracy, bureaucracy, religiosity ) which perfectly fit the film, and last but not least, "Staroye I Novoye", is a kind of archaic documentary about ancient customs established deeply in old Russia, those ones that our heroine must fight against. And there is also a lot about agriculture ( very enlightening for this German count), especially about harvesting and how to fatten Russian cows or pigs ( literally, no pun here… ).  Herr Eisenstein had to bear during the last era of his film career, unbelievable censorship and mutilation of his work, as happens with "Staroye I Novoye". The film was reedited and Eisenstein accused of sympathizing with Trostky's policies but fortunately the film was restored and showed by the German-frenchified t.v. channel "ARTE", natürlich!, including an evocative music score by Herr Taras Bujewski, that fits superbly Herr Eisenstein primal artistic interests.  And now, if you'll allow me, I must temporarily take my leave because this German Count must buy a tractor for one of his Teutonic heiress.

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