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青草影视

外星恶客
美国英语1958
  Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.  The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).  Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).  As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.  The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.  For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.  The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)  Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.  This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.  As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

青草影视

反抗之真心英雄
大陆其它2008
  本剧号称国内首部民间功夫抗日剧,是由《士兵突击》制作人张谦任监制,《神医喜来乐》的编剧高大勇执笔创作,台湾知名导演陈志华执导,武打明星吴樾(全国武术冠军)与任帅、许还幻、高鑫等知名演员联合主演的。主要反映抗日战争时期,沂蒙山区广大人民群众自发抗击日本帝国主义入侵的可歌可泣的英雄故事。  几位来自民间的豪侠义士,在一位负伤后身处民间的八路军连长的领导下,组成了一只抗日别动队,这些别动队员个个身怀绝技,他们中有枪法精准的八路军连长陈少东、武功高强的夏士杰、轻功不俗的神偷时小二、力大无比的巨灵神马大力、飞刀百发百中的季小暖、鬼主意多多的袁亨利等,这只抗日别动队神出鬼没,在战场上、在敌后、在敌人的心脏里顽强战斗,他们勇闯日军司令部,抢回国宝;他们藏身于日本军营,成功策划了皇协军起义;他们采用灵活动机动的战术,粉碎了几十倍于己的强敌的围攻……他们活跃在鲁西南地区,不可思议地完成了一个又一个任务,痛快淋漓地打击日本侵略者,直到抗战胜利。  看完之后眼前为之一亮,感觉这部戏有着精彩激烈、极具视觉冲击力的战争场面,更有着大量激烈的武功对决和令人炫目的武打特技场面。因为有全国武术冠军、武打明星吴樾担纲主演和动作导演,加上演员们的倾情演出,所以本剧的武打设计干净利落,打起来酣畅淋漓,看得十分过瘾。除了在武打、战争场面上拍得比较成功之外,还拍出了不少的新意。  打戏出彩首先沿于主演们的倾情博命演出,整部戏拍下来,几位主演没有人不受伤,而身兼主演和动作导演两职的吴樾更是伤痕累累,每天拍摄时间长达16个小时。他说:“我创下了连续84个小时不睡觉的纪录,本来我就不胖,现在又瘦了十几斤。”比如剧中有一场戏发生在酒楼,吴樾和多达80多位武行对打,从二楼打到了一楼,用一个长达三分多钟的长镜头一气呵成。吴樾说,这场戏拍下来,他颧骨骨裂、肋骨受伤,更有多达六位武行受伤住院。这样拼命卖力的真功夫演出,看着能不过瘾吗?  可以说,《真心英雄》在人物的设置、故事的编排上别具匠心,与《加里森敢死队》有着异曲同工之妙,精彩程度不相上下。而《真心英雄》中精彩的武功对决则让这部戏比《加里森敢死队》有了更多的看点。一直以来,抗日题材的影视作品在播出时都能取得不错的收视业绩,而这部《真心英雄》在抗日剧中融入了中国功夫元素,又有好看的故事做保证,相信播出后一定会大受欢迎。

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