Out of the fifties 'B' Science-Fiction monster movies, this easily ranks as the best. It's most notable as the film that ALIEN is an unaccredited remake of, thus giving it a certain historical significance.　　The intriguing plot is about the rescue of the only marooned survivor (Col. Carruthers) of an ill-fated expedition to Mars. The authorities, pig-headed as usual, falsely assume that he murdered his fellow crew members, so that he'd have more provisions to survive; hence he is being brought back to Earth to face court-martial for murder. (There is also a somewhat interesting plot reversal here: Most movies of this nature usually begin with the ship leaving Earth, enroute to its otherworld destination, while, in this case, the "story" is believed finished, and begins as the characters take-off from the other planet, returning to Earth). As the rescue ship is leaving Mars, a lurking, ominous shadow is seen in the lower compartment. (A frightening, atmospheric moment, accomplished through sheer economy and simplicity).　　Carruthers insists of his innocence to his fellow captors, claiming that his original crew mates were slaughtered by a hostile, unseen presence on the desolute red planet, but three-guesses as to their reaction to his unusual plea. Naturally, he can't prove it, and 50's space authorities were not very alien conscience at the time. (As a side-thought, "unseen menace" may remind you of that highly "original" BLAIR WITCH).　　As everyone sacks out, a hapless supporting charactor whose name is at the bottom of the casting list (guess what will happen to him?) hears something in the lower compartment. Despite your futile "don't go down there, you jerk!" pleas, he does just that, and is appropriately killed (more like thoroughly obliterated) by the shadowy figure with insatiable blood lust on its mind. In the victim's case, dereliction of duty and sheer cowardliness would have been the wise decision. The scene is actually well-directed (for a change) and develops much suspense, as the entire film surprisingly does.　　The crew finally catches on that they have an unwanted ship crasher on board, and try every possible means at their disposal to eliminate it, but the unknown creature seems to copping an anti-death attitude. Proving to be an even more clever, worthy adversary, 'IT!' also hides out in the ventilation shafts of the ship (now that should ring a bell). Cahn's forceful direction generates considerable tension as the malevolent stowaway works its way up from one level of the confined ship to the next, eventually leaving the remaining characters trapped at the top. The movie's suspense is blunt and right to the point: "IT!' has to kill them or starve, hence they have to kill "IT!" or die. Nothing like those "no two ways about it" choices. Rent it, or check for it on cable if you wish to know the outcome.　　For a low-budget quickie, IT! is quite impressive and memorable. The dreaded sense of claustrophobic tension, rendering the characters' helpless entrapment, is highly effective. This is a production in which the limited budget and small sets actually work in favor of the plot's scary ambience. The black & white photography (Yes, it's one of those!) helps to enhance its dark, creepy mood, and the sense of apprehension is quite high. (Modern day color freaks never seem to take that into consideration). The plot is also somewhat cynically ironic: If the creature hadn't stowed away on the ship, Carruthers would have most likely been found guilty of the charges against him.　　The intelligent script (see what I mean about "rareity") was penned by noted Science-Fiction author Jerome Bixby (remember Twilight Zone's "It's a Good Life")? The picture's taut editing eliminates any extraneous dross. (ALIEN tended to drag in its first hour with its sophomoric dialogue, and why did it have to include that stupid and ultimately counter-productive sub-plot of Ash being a robot, and further dragging the story down to another big bad conspiracy cliche? UNNECESSARY!!!)　　Director Cahn astutely keeps the rubber-suited monster off-screen and in the shadows through-out most of the proceedings, keeping your paranoid imagination on constant alert. Unfortunately, perhaps at the studio's commercial insistance, it is a little over-revealed at the climax, but I haven't claimed this to be the perfect masterpiece. The performances, though nothing award-winning, are nevertheless cool enough so that one becomes sincerely concerned as to their fates. Not many movies in recent times ever come close to achieving that. They can be over-produced from here to eternity, and usually only succeed in being gloriously annoying.　　This film's story is not really totally original (what is?), for it is based on A.E. Van Vogt's "VOYAGE OF THE SPACE BEAGLE." All ALIEN fanatics should track down an old used copy to see where the initial influence came from.　　As long as you're not craving another CGI wind-ding, you may find it worthwhile. Just don't expect the women to be Ripley precursors. This was still the sock-knitting fifties, sad to say.

　　一个考古学教授带着几个年轻学生在树林里寻找一个神秘的洞窟，据说埋藏着古代的秘密。他们最终找到地方的时候，队伍中的几个人露出了贪婪的面目，把其余人绑起来，想夺走洞中的宝物。没想到在洞中搜寻宝物时，其中一人拿到一顶诅咒的王冠，无意中释放出了宝藏的守护者——一只隐形的怪物，它似乎跟外星人有关。怪物一路追杀，将这一行人逐个杀死……

　　五名劫匪在作案后劫机试图飞往墨西哥边境，但其中一个为私吞赃物而带钱跳伞逃走，众人无奈只能追其而去。然而他们不知道现在所处的地方竟是一个被巫术诅咒已久的稻草人墓地，人们接连被复活的稻草人杀害。不过凡是在此被杀的死者都会变成活死人追杀其他幸存的人类，劫匪们被逼入了绝境……　　这是狮门影业经典的恐怖电影，被影迷誉为史上最棒的稻草人杀手电影。此片最大魔力在于，虽然剧情有点沉闷，但它还能使你饶有兴致地观看下去。电影气氛诡异，灯光效果设置绝佳，血腥的狗血镜头加上稻草人丧尸们那恐怖的外形绝对会给观众带来超级震撼的感受。

　　「昆仑」现任掌教“道海逍遥”学千秋跟“妖魑魔师”傀修罗，在“燕邬石矶山”的对决，无意间唤醒了沉睡在“燕邬石矶山”下的神魔元神，为避免天下苍生因神魔转生而无辜承受浩劫，学千秋答应“终极须弥山”的长眉尊者以十年为期，跟傀修罗各创一教、分别是「昆仑天教」跟「修罗地教」，十年后于“燕邬石矶山”举行英雄会，进行正邪最终对决，胜的一方能得到“终极须弥山”太极图内、能贯通天地人三界的三卷天书；数年后，傀修罗所创立的「修罗魔教」荼毒武林各教，而正道各派却因门户之见未能统合，最后学千秋在几经艰辛奔波、运筹帷幄之下，终于成立「正道昆仑」，得以跟「修罗魔教」抗衡。　　武道上突然出现一名专门狙击魔教教徒的神秘剑客泪断痕，他的背后真正目的是什麽？又是谁人所指示？　　学生、酒徒狂醉，武功深不可测的二人，又是为谁而出现武林？　　「修罗魔教」旗下三宫「幽楼月宫」、「血道魔宫」、「夜蝠邪宫」为争夺三宫之首，各出奇谋各出手段，最终谁能胜出？　　有智者之称的「幽楼月宫」执教“七色彩云”夕阳君、“静心小径”隐士朝阳君、「修罗魔教」军师“鹤顶丹红”冰心映红雪，究竟谁是真正的智者？　　朝阳君跟夕阳君，二人之间又有什麽牵连？　　已退隐“望远云路”不问世事的三教一家，因何原因又再渡尘世？　　十年期限到达，两教在“燕邬石矶山”进行对决，结果将会如何？欲知精彩故事，敬请留意「神魔英雄传」第一部之「血魔劫」。　　剧情起源于太古洪荒时代的神魔传说，给神魔布袋戏添加一丝神秘的浪漫色彩。传说曰：由天帝公孙轩辕与血魔蚩尤之战开始，后世如果有人能得到天帝轩辕的白龙神剑或地皇蚩尤的噬血魔剑，将成为神魔宿命中的传人而来延续天地间的正邪之战。　　而后，剧情一转，千年之后的一次偶然成为血劫的开端。由于神魔两界先天人物逍遥学者学千秋和妖魑魔师傀修罗在荒山燕邬石山矶的对决而放出沉睡中的神魔精元。须弥山的长眉尊者为了将伤害减至最低而以天书为赌注让两人定下十年后荒山的神魔对决。　　傀修罗创建修罗圣教，整合魔道三宫：血道魔宫、幽楼月宫、夜蝠邪宫，欲消灭正道各派，一统武林。学千秋随后组建昆仑正教,和好友酒徒狂醉、刀学生以及正道力量三圣二僧一道主联合，欲整合正道力量以抗魔道，千秋教主的称呼由此而来。

　　一个有着舞蹈天赋的美少年，一群青春活力的职高男生，一个天真烂漫的校花女生，一段励志向上的女子天团养成记。  向一男的校花闺蜜任甜甜任为了追逐自己的歌手梦想，把希望寄托在一场大型女子天团选拔夏令营的比赛上，并央求从小有舞蹈天赋的向望夫和她一起报名。向一男耐不住甜甜的软磨硬泡，只得“护送”她进入选拔赛夏令营。在年度青春偶像的总决赛中，任甜甜所在的女子天团得到了团体总冠军，向一男得到了个人总冠军。站到聚光灯下，向一男终于说出了自己的心声，他曾经一直期待有人为他抵挡人生的风雨，但现在，他只想说一声，我已经找到了属于自己的勇气和力量。

　　少女在马戏团里迷上了帅气的空中飞人，两人双双跌入太阳马戏团的奇幻世界，开始了一段奇妙的旅程。他们置身于如梦幻遥远国度美轮美奂的场景中，穿越不同的马戏世界，历经重重的困难，寻找彼此。

　　一战后，为逼迫北洋政府签署不平等条约，日本黑龙会派人假扮猎盟会悍将萧乾，抢夺毒药“凤凰雪”，准备在边城释放，以百姓生命威胁政府。真萧乾为自证清白，一起与猎盟会粉碎日本人的阴谋，守护了国家安全。

　　豫剧电影《天职》主人公纪忠的原型是全国唯一连续两届获得“全国纪检监察系统先进工作者标兵”称号的周口市纪委书记杨正超，影片以其真实的事迹为创作蓝本，热情讴歌了新时期纪检监察干部亲民、爱民的公仆情怀和勇于担当、秉公执纪的英模形象。　　电影版《天职》由河南国杰文化传播有限公司、国影宣文化传媒(北京)有限公司联合拍摄。影片由著名剧作家陈涌泉编剧，国家一级导演王冰河执导，江团结、党玉倩分别饰演男、女主角，中国戏剧梅花奖获得者李树建、著名豫剧表演艺术家张宝英等将倾情加盟。