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青草影视

红花之歌
其它其它1919
  “Sangen Om Den Eldröda Blomman” ( “Song Of The Scarlet Flower” ) was a recent and remarkable silent surprise for this Herr Von; the oeuvre is an excellent Herr Stiller silent film that this German count watched in a newly restored and tinted copy. It combines the well-known aesthetics, technical improvements and artistic merits for which the Nordic director was known and praised since those early silent times till today.  The film tells of the merry and carefree love life of young Olof ( Herr Lars Hanson ) a woodsman who during his search for true love, seduces many frauleins ( just like this German aristocrat… well, not exactly because the purpose of this Herr Von’s seduction of rich fräulein heiresses are their great fortunes… ). He will suffer disappointment and deception, all those problems that turn up in any loving relationship. Finally he will find responsibility and maturity, learning during his particular quest that his actions always have consequences in different degrees to the people around him. This Herr Von can describe “Sangen Om…” as a kind of coming of age film, the special introspective growth toward maturity of a free and easy youngster.  As this German count said before, the film displays Stiller’s characteristic artistic virtues. ; in the first part of the film, we can see elements of comedy, not exactly like the comedy of intrigues in other Stiller films, but humor of a more cheerful sort, highlighting the self-involvement of our hero. Olof ‘s frivolous flirtations with the different girls eventually turn romantic and then turn into drama. There is conflict in the troubled relationship between Olof and his father and later with the father of his beloved. The beautiful and wild natural landscapes of Norrland and northern Sweden lend the tale a certain power and is characteristic of Herr Stiller’s other silents where Nature emerges as an important character in the story. This is strongly reflected throughout the film but especially during the frantic scene wherein Olof descends into the troubled waters of a river, a beautiful metaphor for the hardships that our hero has to endure until he finds himself.  “Sangen Om Den Eldröda Blomman” is an excellent, beautiful film, a solid, technically perfect and intricate production of 1919 that demonstrates once again the importance of Herr Stiller for silent film history.

青草影视

悲情红与黑
大陆国语2002
  季嫣然是个外柔内刚的女孩。她的父亲季安是大企业的领导,德高望重,深受职工爱戴,对她更充满慈父之心;她的未婚夫曾火冰胸怀大志,事业初成,两人相爱多年,也将缔结良缘。  但一件突发的事情一下子改变了她的人生轨迹。季安由于辛劳过度,猝然间中风瘫痪。而当他一旦离开领导岗位之后,始料不及的变化便接踵而至,季嫣然也无法回避两个惨重的打击。  失去了家庭的安宁,又失去了相依相伴的爱人,季嫣然尽管在痛苦中徘徊很久,可她并没有沮丧,更没有沉沦。一方面,她尽心尽力地照料口不能言,手不能动的父亲,另一方面又独自抚养已经失去了父爱的儿子。特别是在中断了自己热爱的事业之后,她坚韧顽强的内在个性更得到了淋漓尽致的展现。她顶住世俗的偏见,尝试去做各式各样的工作,因为她抱定一个信念,她完全可以用自己诚实的劳动,重新创造幸福的人生。  正是出于她处逆境而愈强的品格,她还令一个因事业失败而选择自尽的男人重新燃起了生活的希望。那人叫成功。  在这同时,她再度遇到了从未令她忘怀的曾火冰。曾火冰尽管背弃了她的爱情,选择另外一个又背景的女子小雪做未婚妻,但内心里却难以忘却季嫣然的倩影,并常为自己的见利忘义而羞愧。不过,当他真的见到季嫣然时,却又恐惧她的出现会葬送自己大好前程,因而既想和她重叙旧情、和自己的亲生儿子相认,又害怕为此付出代价。然而种种情势逼迫,又令他不得不在真情和利益之间作出最终选择。遗憾的是,他选择了保全自己,而决定将爱人和儿子置于死地。  就在他打算实施罪恶计划的过程中,季嫣然以她的大义凛然和崇高美德唤醒了曾火冰并未泯灭的良知,终于使他从季嫣然这面镜子里看清了自己的卑鄙和渺小,决定重新做人。  他向小雪一家坦白了一切,毅然放弃近在咫尺的大好前途,开始了艰难的人生历程。  而那个心地阴暗、恩将仇报的老胡最终也难逃党纪国法的制裁,受到了应有的惩罚。  对于季嫣然,久经磨难之后,灿烂的太阳正从她面前升起,新的爱情也悄然向她走来。

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