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魔鬼的陷阱
其它其它1962
  In the time of Counter-Reformation, a miller and his son come under investigation by a priest of the Inquisition, when rumors spread that their prosperity comes from working with the Devil.  The Devil's Trap is a film directed by František Vlá?il, based on a novel by Alfréd Technik, adapted by František A. Dvorák and Miloš Kratochvíl. It was the first of three historical dramas that Vlá?il made during the Czech New Wave (technically he isn't really a part of the New Wave, however these films were made during the same era of artistic freedom), preceding his more well known Marketa Lazarová (1967) and Valley of the Bees (1968).  Set in the late 16th Century during the Catholic Reformation, in the Moravian Karst, situated in what is now the Eastern Czech Republic, it tells the tale of a miller (Vítezslav Vejrazka), and his son Jan (Vít Olmer), who come under suspicion and are investigated by a Jesuit priest of the Inquisition (Miroslav Macháchek), when rumors of witchcraft are spread by the local regent (Cestmír Randa), who is jealous of the miller's prosperity and degree of respect among the local populace.  As expected from Vlá?il, this film is a stunning experience all the way through. From the opening shot, an ominous manipulation of perspective with a close up of a mangled figure of Christ dominating the foreground against a tiny figure in black walking along the horizon, to the breathtaking confrontational finale inside the vast stalactite filled Karst caverns, it is a wonderful display of visual mastery.  Maybe not quite as impressive as Marketa Lazarová, but still full of astonishing imagery. As seen from unique angles and distinct points of view which highlight the director's remarkable sense of awareness of framing, motion, and positioning on the emotional and dramatic tone of the scene. The most memorable being a repeated shot where the camera is suspended and launched with speed through the air towards the miller's door.  The story here is a simple one and I would say more accessible than his later works. With a conventional structure emphasized as much by its plot and characters, than by its expressionistic cinematography or authentic historical detail. The events play out without much surprise, and there is a strong underlying, almost supernatural, mysterious aspect that is left unresolved, in fact barely explored, which is slightly disappointing, but only because it's so fascinating that I wish there was more.  Acting is great all around. Particularly the villains: Miroslav Macháchek as the priest, casting a sinister and imposing shadow wherever he goes, and Cestmír Randa as the weasel like regent behind all the persecution. While Vít Olmer brings a charismatic leading man presence in his role as the miller's son Jan, in love with the lovely orphan girl Martina (Karla Chadimová), who becomes a dangerous object of rivalry between Jan and other young men of the village.  The film also features the evocative music of Zden?k Liška (perhaps the most prolific composer of the Czech New Wave). In this his second of eleven collaborations with Vlá?il, his compositions are used sparingly, but to great effect, complimenting but never overpowering a scene. The best example of which can be heard in an amazingly shot celebration and dance sequence at the end of the second act.  The Devil's Trap might not be a masterpiece, but it is still a strong effort, with a fascinating straightforward story and a glorious historical setting captured beautifully by Vlá?il's unmistakable visual prowess. A fine work that would also be the perfect starter plate to prepare yourself for the challenging feast of Marketa Lazarová or The Valley of the Bees. It even has an easy to digest running time. It's therefore puzzling why this gem remains largely overlooked and ignored.

青草影视

拼命三娘
大陆国语2013
  电影《拼命三娘》虽说是部古装戏但剧情和影片风格上非常新颖具有很浓郁的现代时尚元素!导演在画面和镜头方面很有创新,尤其处理情感戏的部分非常的唯美!整部戏看完感觉很像是古装版《我的野蛮女友》!    北宋年间,孟州孙家的女儿三娘早已到了婚嫁年龄,尽管说媒的人一大堆,但三娘都以看不上为由推辞掉了。其实三娘确实是在故意推托,因为在她的眼中,有着比婚嫁更重要的事,那就是母亲冤死之仇。十年前的一个夜晚,三娘和全家在孟州道赶路时遭到了一伙不明身份人的袭击,三娘的母亲惨死在对方手中,事后孙家虽然报了官,然而官兵却百般推托,草草了事。三娘的母亲就这样死了个不明不白。十年过去了,孙老爷早已不愿再揭陈年旧疤,可三娘却暗下决心,定要找到当年杀死母亲的仇人。  一次,一心为母报仇的三娘和带着一封推介信与投奔功名的张竞在城中的一家小茶馆意外邂逅,一场口舌之争后两人分别,却相互拿错了包袱。张竞无奈只得凭着三娘丢下的一块玉佩来到孟州找到孙家,被孙老爷错当作了自己未过门的女婿。张竞为了等候三娘拿回自己的包袱,他死皮赖脸的以三娘未婚夫的身份留在了孙家。  三娘回来后,因为她早已把张竞的包袱丢弃,张竞因拿不到包袱和三娘纠缠不断,但他俩却也在磕碰中逐渐建立了感情,就在三娘准备接受张竞的感情时,却意外发现张竞和自己的杀母仇人有关系……  那么,三娘将如何面对她与张竞的感情?她将如何实现为母报仇的心愿?

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