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青草影视

神枪少女第二季
日本日语2008
  故事舞台是在现代的意大利都市,政府机关“社会福祉公社”表面上是收容重伤残障的少女给予医治和帮助职业训练的福利机构,但实际上是将收容的少女加以义体改造并投入药物加以洗脑制约使其成为对抗恐怖份子的尖兵。每位少女都搭配一位辅佐官,而这组合称为“fratello”是意大利语中“兄妹”之意,每位少女对其辅佐官都有制约造成的混合了爱情及亲情的绝对忠诚。跟社会福址公社敌对的恐怖组织是被称为“五共和国派”的组织。该组织的政治诉求,是响应以意大利北部为据点的“北部同盟”(Lega Nord)党首Umberto Bossi所提倡,意大利北部8省与中部3省(包括托斯卡纳(Toscana),翁布里亚(Umbria),马尔凯(Marche))应该自意大利共和国分离独立的主张,并依此实行武装抗争运动的组织(但在现实中的意大利并无此组织,真实存在的北部同盟也不支持恐怖活动)。

青草影视

卧龙战警
美国英语1992
  Having witnessed his junkie father killed Russell Stevens grows up to become a policeman and make a difference. When he is offered an undercover job by Gerald Carver he accepts and begins to build a relationship with David Jason in order to get to the main dealers. However as he is forced to deal drugs and kill to keep his cover he finds the lines between cop and criminal being lost – is he a cop pretending to be a dealer or a dealer pretending to be a cop?  Larry (as he was then) Fishburne's first lead role was a typically dark vehicle. The story is the usual one of cop losing himself when undercover, however it manages to be more than that for most of the time. Co-written by Tolkin, who wrote The Player, this naturally has a nice cynical edge to it when it looks at the US's hypocritical approach to drug control and the political links between the street hustlers and the political high rollers who court respectability. The story does eventually settle into a traditional setting but even then it works well as a thriller.  The multi-talented Bill Duke directs well with a gritty feel and a few nice touches. However several things are a bit iffy. For most of the film Fishburne's narration/voice over is a bit like a cross between Apocalypse Now and Blade Runner – it comes across as a little too dark and heavy and also explains things like we can't figure it out ourselves. However once you get into the film it's not as big a deal. My main problem lies with the characters.  Fishburne is excellent, a real model of underlying anger and violence, Goldblum is good but perhaps a little OTT on the yuppie/violence thing, but there's good support from Smith and Spin City's beautiful (and often underused – but not here) Victoria Dillard. However the two main white characters (Goldblum and Smith) are both smeared with racist insinuations – Smith appears to insult his black officers and doesn't care about the junkies, while Goldblum is fascinated about all things black and talks about them as wild beautiful beasts and loves having sex with "black'. These things aren't a major problem, but with basically only two white characters in it, it's a little worrying that both are given that edge.  However these are minor complaints that get lost with a good thriller. Fishburne excels and Duke delivers a story that is a good thriller but also has a jaded, subversive edge.

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